Hymns of praise and thanksgiving.
Hymns of Praise and Thanksgiving in the Psalms
Introduction
The Psalter is a remarkable anthology that has shaped Jewish and Christian worship for over two millennia. While laments give voice to disorientation and protest, hymns of praise and thanksgiving represent the language of reorientation and renewal. These psalms are exuberant, often cosmic in scope, and deeply rooted in Israel’s worship life. They remind us that praise is not a superficial gloss on human suffering but the ultimate horizon of faith.
This chapter explores hymns of praise and thanksgiving psalms as distinct literary forms. We will analyze their typical structures, situate them in the social and liturgical life of ancient Israel, examine representative examples, and reflect on their enduring theological significance. Special attention will be given to how praise and thanksgiving complement lament, how they function as public testimony, and how they ground the community in a posture of trust and joy.
Defining the Hymn of Praise
Structure of the Hymn
Form critics such as Gunkel (1998/1933) and Westermann (1981) have shown that hymns of praise generally follow a three-part pattern:
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Call to Praise – An imperative directed to the congregation, the nations, or even creation: “Sing to the Lord,” “Praise the Lord.”
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Reasons for Praise – Specific grounds for adoration, often God’s attributes (goodness, mercy, justice) or His mighty deeds (creation, covenant, salvation).
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Renewed Call to Praise – A climactic repetition of the opening summons, often expanding the scope to all peoples and creation.
The emphasis is less on narrative progression and more on the rhythm of exaltation. The repeated imperatives invite the entire cosmos into a chorus of praise.
Characteristics
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Exuberant language filled with imperatives and superlatives.
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Cosmic scope—Israel, nations, angels, and all creation are summoned.
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Focus on God Himself rather than individual crisis or petition.
Function in Worship
Hymns of praise likely featured prominently in temple liturgy, especially during major festivals such as Passover, Pentecost, and Tabernacles. They oriented worshipers away from their own circumstances and toward God’s eternal majesty. In a culture where lament was frequent, hymns of praise reminded Israel that Yahweh’s sovereignty was the ultimate truth.
Representative Hymns of Praise
Psalm 29
Often considered one of the oldest psalms, Psalm 29 is a classic hymn structured around the refrain “The voice of the Lord.” Likely adapted from a Canaanite hymn to Baal, it celebrates Yahweh as storm-god and cosmic King. The storm imagery portrays God’s voice thundering over the waters, shattering cedars, shaking the desert, and stripping forests bare. Unlike Baal, however, Yahweh’s power is not capricious but ordered, climaxing in peace for His people (v. 11).
Psalm 33
This hymn begins with the call, “Sing joyfully to the Lord, you righteous,” and grounds praise in God’s creative word: “By the word of the Lord the heavens were made.” It contrasts human plans with God’s enduring counsel, declaring, “The plans of the Lord stand firm forever.” The psalm teaches that true security lies not in armies but in God’s steadfast love.
Psalm 100
A brief but powerful hymn that summons “all the earth” to worship. It affirms God as Creator (“It is he who made us, and we are his”) and as Shepherd of His people. Its conclusion emphasizes covenant faithfulness: “His love endures forever; his faithfulness continues through all generations.”
Defining the Thanksgiving Psalm
Structure of the Thanksgiving Psalm
Thanksgiving psalms differ from hymns in that they thank God for specific acts of deliverance. Their structure often includes:
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Introduction – A declaration of intent to thank God.
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Narrative of Crisis and Deliverance – Recollection of distress and God’s saving intervention.
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Renewed Thanksgiving – Public testimony before the congregation.
Characteristics
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Personal or communal testimony of rescue.
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Narrative dimension, contrasting “before” and “after.”
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Integration into worship, transforming private deliverance into public proclamation.
Representative Thanksgiving Psalms
Psalm 30
This psalm thanks God for deliverance from illness and death: “You turned my wailing into dancing; you removed my sackcloth and clothed me with joy.” The narrative contrasts the psalmist’s near-death experience with God’s healing intervention. Its theology emphasizes that God’s anger is momentary, but His favor is lifelong (v. 5).
Psalm 34
A personal thanksgiving that expands into communal invitation: “I sought the Lord, and he answered me; he delivered me from all my fears.” The psalmist then exhorts the community: “Taste and see that the Lord is good.” Gratitude becomes evangelistic, inviting others to trust God.
Psalm 118
A communal thanksgiving, likely used at festivals. It opens and closes with the refrain, “Give thanks to the Lord, for he is good; his love endures forever.” The psalm recounts victory over enemies, affirms God’s help, and celebrates entry into the temple. It later became central to Jewish liturgy (part of the Hallel, Ps. 113–118) and was sung at Passover, likely by Jesus at the Last Supper (Matt. 26:30).
Hymns and Thanksgivings in Ancient Near Eastern Context
Israel’s hymns and thanksgivings can be compared with other ANE traditions. Egyptian hymns to the sun-god Ra, for instance, celebrate divine kingship and cosmic order. Mesopotamian thanksgiving prayers recount deliverance by gods from illness or danger. Yet Israel’s psalms are distinctive in their monotheism and covenantal grounding. Praise and thanksgiving are not generic but rooted in Yahweh’s unique character as Creator, Redeemer, and covenant Lord.
Theological Reflections
Praise as Orientation
Hymns of praise function to reorient worshipers. After the disorientation of lament, praise re-centers the community on God’s eternal reign. This reorientation is not denial of pain but recognition that God’s sovereignty transcends it.
Thanksgiving as Testimony
Thanksgiving psalms emphasize that salvation is never merely private. Gratitude must be expressed publicly, transforming individual deliverance into communal faith. These psalms model testimony, where personal experience becomes proclamation of God’s faithfulness.
Complementarity with Lament
Together, lament, praise, and thanksgiving form a liturgical cycle. Lament voices disorientation, thanksgiving responds to deliverance, and hymns of praise provide ongoing orientation toward God’s majesty. This dynamic models the rhythms of faith across generations.
Suggested Assignments
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Exegetical Paper: Conduct a 3,000-word exegesis of Psalm 29. Discuss its storm imagery, possible Canaanite background, and theological significance for Israel’s praise.
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Comparative Study: Write a 2,500-word paper comparing Psalm 30 with an Egyptian thanksgiving hymn. Highlight similarities and differences in theology.
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Reflection Essay: In 2,000 words, analyze how Psalm 34 transforms individual gratitude into communal invitation. How might this inform Christian testimony today?
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Creative Project: Compose a hymn of praise (at least 20 lines) and a thanksgiving psalm (at least 20 lines) on separate life experiences. Provide a 1,500-word commentary explaining how each reflects biblical form.
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Research Project: Trace the liturgical use of thanksgiving psalms (Pss. 113–118) in Second Temple Judaism. Write a 3,500-word essay on their role in festivals such as Passover.
References
Brueggemann, W. (1984). The message of the Psalms: A theological commentary. Augsburg Publishing.
Craigie, P. C. (2004). Psalms 1–50 (2nd ed.). Thomas Nelson.
Gerstenberger, E. S. (2001). Psalms, Part 1: With an introduction to cultic poetry. Eerdmans.
Gunkel, H. (1998). Introduction to Psalms: The genres of the religious lyric of Israel (J. D. Nogalski, Trans.). Mercer University Press. (Original work published 1933)
Mays, J. L. (1994). Psalms. John Knox Press.
Tate, M. E. (1990). Psalms 51–100. Thomas Nelson.
Watson, W. G. E. (2005). Classical Hebrew poetry: A guide to its techniques (2nd ed.). T&T Clark.
Westermann, C. (1981). Praise and lament in the Psalms. Westminster John Knox Press.
